UMR CNRS 7253

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fr:start [2025/03/31 05:22] dlourdeafr:start [2025/03/31 05:26] (Version actuelle) dlourdea
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-====== Short Description ======+====== ITS-STORY: Storytelling – supporting historical empathy through augmented memory in internment and deportation camps in Nazi Europe ====== 
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 ===== Objectives ===== ===== Objectives =====
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 {{ :fr:campc_scenejulien2.png?nolink&400| }} {{ :fr:campc_scenejulien2.png?nolink&400| }}
 **ITS-STORY** (Storytelling – supporting historical empathy through augmented memory in internment and deportation camps in Nazi Europe), is an **experimental, exploratory and interdisciplinary project**. We aim to explore the use of [[https://citeseerx.ist.psu.edu/document?repid=rep1&type=pdf&doi=f78a31be8874eda176a5244c645289be9f1d4317|Mixed Reality]] (MR) in a **Memory-based Heritage**.  **ITS-STORY** (Storytelling – supporting historical empathy through augmented memory in internment and deportation camps in Nazi Europe), is an **experimental, exploratory and interdisciplinary project**. We aim to explore the use of [[https://citeseerx.ist.psu.edu/document?repid=rep1&type=pdf&doi=f78a31be8874eda176a5244c645289be9f1d4317|Mixed Reality]] (MR) in a **Memory-based Heritage**. 
 To tackle this vast subject, we want to focus on the **Remembrance Work** (RW) on the role of Nazi transit camps during the Second World War (WWII). This application framework is interesting because it carries a particular **ethical dimension**. Making part of the museographic project, whose themes refer to a painful past, interactive experiences could provoke ambiguous feelings in visitors and victims alike. It is therefore essential to maintain a certain ethic when conveying the history of the Holocaust and the processes of persecution and repression that took place during these deportations.  To tackle this vast subject, we want to focus on the **Remembrance Work** (RW) on the role of Nazi transit camps during the Second World War (WWII). This application framework is interesting because it carries a particular **ethical dimension**. Making part of the museographic project, whose themes refer to a painful past, interactive experiences could provoke ambiguous feelings in visitors and victims alike. It is therefore essential to maintain a certain ethic when conveying the history of the Holocaust and the processes of persecution and repression that took place during these deportations. 
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 ===== Fundings ===== ===== Fundings =====
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